Showing posts with label Adin Ballou. Show all posts
Showing posts with label Adin Ballou. Show all posts

Thursday, April 23, 2009

Adin Ballou

Today is the birthday of New England reformer Adin Ballou. He was born in 1803 into a Six-Principle Baptist family, but they converted ten years later to the Christian Connexion. In 1822, Ballou became a Unitarian (thereupon being disinherited by his father), but he was also intrigued by the doctrines of Restorationism and Practical Christianity, and tried to combine strains from all of these in his writing and lecturing over the next several years.

Still more "conversions" followed; he formed a denomination called the Massachusetts Association of Universal Restorationists in 1831, the same year he was dismissed from his Unitarian pulpit in Milford, MA. In 1838 he declared himself a follower of Christian Non-Resistance (what we might call pacifism), and shortly thereafter published a pamphlet called Standard of Practical Christianity. Believing that for Christians to make their beliefs into reality, they had to refashion society, he founded a
utopian community named Hopedale on a farm outside Milford. He and his followers embraced his causes of Non-Resistance and Practical Christianity, as well as abolitionism, temperance, and women's rights.

Now we get to the hymn part. The Hopedale Collection of Hymns and Songs, for the Use of Practical Christians, compiled by Ballou and including several hymns written by him, was published in 1850. The hymnal contained many established psalm paraphrases and older texts by Watts, Wesley, and others. Perhaps in accordance with Ballou's support for women's rights, there is a good proportion of texts by women; established writers such as
Anne Steele and Anna Laetitia Barbauld, and some who were members of the Hopedale community, such as Abby Price and Mary Colburn.

The new texts by Ballou and his followers were largely instructional, meant to reinforce the beliefs of the community. The hymnal contains the usual sort of sections, such as "Devotional," "Jesus Christ," and "Joy, Gratitude, Praise," but also sections for hymns of "Temperance," "Anti-Slavery," and "Christian Non-Resistance."


For example, these abolitionist verses of Ballou's:


Shall kidnapped Afric's race,
In Southern bondage held,
Forever plead their deep distress
And coldly be repelled?

O Lord, in thunder tones,
Rebuke these giant crimes;
Behold the victims, hear their groans,
And rescue them betimes.

The challenges of living in community were (perhaps) addressed in another hymn, which began:

My fleshly lusts I hate,
And all their works detest;
Yet strangely on their mandate wait,
And do their vile behest.

The citizens of Hopedale were longing for a better world, seen in Ballou's Years are coming, speed them onward (perhaps his only hymn to survive into the twentieth century). A more specific goal than world peace was expressed in these verses from another hymn:

Not individual souls alone
Require the new and heavenly birth,
Society, in sin up-grown,
Needs Christianizing o'er the earth.

The principles, by Jesus taught
Must be impartially applied,
And social institutions brought,
With laws divine to coincide.


While interesting in their historical and social context, none of these hymns is likely to be sung anywhere today. This following one of Ballou's perhaps comes closest for a modern congregation, though I think it might need a different first verse and the "non-resistant" jargon seems a bit clumsy today.

Forbear that treacherous sword!
Its deadly blade restrain;
For they that trust its base support
Shall perish with the slain.

Thus Jesus promptly stayed
Impetuous Peter's arm,
And though to murderous foes betrayed,
Forbade to do them harm.

Obedient to his voice
The first disciples proved --
And bore their non-resistant cross,
By scorn and wrath unmoved.

And let the faithful still
Revere its high command,
Returning only good for ill
With ever generous hand.

Adin Ballou, 1850
Tune:
BOYLSTON (S.M.)
Lowell Mason, 1832

I think Lowell Mason's BOYLSTON is the kind of tune that would have been known and sung by the people of Hopedale. Ballou clearly believed in the "powerful engine" of hymn singing (as Tuesday's Reginald Heber called it). Tuesday nights in Hopedale were devoted to community singing because Ballou felt that they needed more opportunities than Sunday worship to express their faith through song. He published another hymnal in 1856, Communal Songs and Hymns.

Like most other utopian communities, Hopedale had a fairly brief life, lasting only until 1856. It continued as a church, Hopedale Parish, in 1867 was admitted to the Unitarian denomination, and still is open today. Adin Ballou remained as the minister until his retirement in 1880.
Today, an organization of Friends of Adin Ballou continues to espouse his belief in a future of peace and cooperation.

Sunday, October 19, 2008

More Voices Found: Emily Swan Perkins

Composer and hymnwriter Emily Swan Perkins was born today in 1866. Though she was musically gifted from an early age, she did not start writing hymns until later in life.

During World War I she served with the Red Cross, and wrote text and tune for a hymn of thanks for that organization (possibly one of her first). The first verse:


A blessed ministry of love
Goes forth to all the world,
For every nation, every tribe
The Red Cross flies unfurled.
Oh! come, ye people everywhere,
Its love and power and worth declare.

In 1921 she published Stonehurst Hymn Tunes, a book of 38 of her tunes and four of her texts. She writes in the introduction:

Old tunes are being used with a fair measure of success, but the new wine cannot always be contained in the old bottles. A really great hymn must have its own tune and any hymn of worth should have proper setting if its message is to gain full interpretation.

Many of the tunes in her collection are written for familiar texts, and some to more obscure ones that she hoped would gain more exposure. Yesterday's tune by Perkins, LAUFER, was written for the hymn The light of God is falling, by Louis F. Benson. Benson was pleased with the tune, and used it in a published collection of his hymns, but he admitted in a letter to Perkins that it would be difficult to supplant GREENLAND, the tune that his hymn had originally, and usually, been matched with. LAUFER was named for another friend of Perkins, Presbyterian hymnist Calvin Laufer.

Here is another tune from her first collection.

Years are coming, speed them onward
When the sword shall gather rust,
And the helmet, lance, and arrow
Sleep at last in silent dust.

Earth has heard too long of battle,
Heard the trumpet's voice too long.
But another age advances,
Seers foretold in ancient song.

Years are coming when forever
War's dread banner shall be furled,
And the angel Peace be welcomed,
Regent of a happy world.

Hail with song that glorious era,
When the sword shall gather rust,
And the helmet, lance and arrow
Sleep at last in silent dust.

Adin Ballou, 1849; alt.
Tune: PETERSON (8.7.8.7.)
Emily S. Perkins, 1921

Emily Perkins published another collection, Riverdale Hymn Tunes, in 1938, three years before her death, presumably containing a similar number of new tunes. Unfortunately, not many of her tunes were published in other hymnals (there are only three available to be heard at the Cyber Hymnal site), but I think they should be reevaluated. Surely out of possibly 60+ tunes there are more than three worth using. Has anyone out there heard any of the others?

In 1922, Perkins was one of the instrumental founders of the Hymn Society of America, (later renamed the Hymn Society in the United States and Canada), an organization that would help her share her love of hymnody with thousands of people throughout the world. She served as Corresponding Secretary of the group for nearly two decades.

P.S. We will hear more about Adin Ballou on his birthday a few months from now. His hymn has been used many times in recent years, as evidenced by several worship services for peace than can be found online.