Catherine Winkworth

Hymn translator Catherine Winkworth was born today in 1827 in London, and moved to Manchester at a young age, where she spent much of the rest of her life. Her interest in translating German hymns of the seventeenth and eighteenth centuries was perhaps sparked by the gift of a book (with the generic title Andachtsbuch, or "devotional book") containing some of these hymns, which she received from Christian Karl Bunsen, a family friend who also happened to be the British ambassador to Germany.

Catherine, assisted by her sister Susanna, published two volumes of hymn translations from German titled Lyra Germanica. The first, in 1855, contained 103 hymns, and the second, in 1858, contained 131. These books contained only the texts. In 1863, with the assistance of musical editors William Sterndale Bennett and Otto Goldschmidt, Catherine published The Chorale Book for England, which paired many of her translations to their original German tunes.

Several of her translations have already appeared here (click on her name in the tags below). This familiar hymn is adapted from one of her best known translations from a hymn by Joachim Neander, published in the Chorale Book with its original German tune arranged by Sterndale Bennett. She retained the original meter which is quite unusual for a hymn in English: two very long lines (14 syllables!) followed by a very short line of four syllables and then finished with two lines relatively normal in length. I don't think there is another tune that would fit it.

Praise be to God, the Almighty, who rules all creation!
O my soul, worship the wellspring of health and salvation!
Join the great throng,
Psaltery, organ, and song;
Sound forth your glad adoration.

Praise be to God, who o'er all things is wondrously reigning,
And as on wings of an eagle, uplifting, sustaining!
Have you not seen
All that is needful has been
Sent by God's gracious ordaining?

Praise be to God, who will prosper your work and defend you;
Surely God's goodness and mercy here daily attend you;
Ponder anew
What the Almighty can do,
Who with great love shall befriend you.

Praise be to God, O forget not God's manifold graces!
Each that has life and breath, one song of gratitude raises;
Let the Amen
Sound from God's people again,
Singing forever God's praises.

Joachim Neander, 1680
tr. Catherine Winkworth, 1863; alt.
Tune: LOBE DEN HERREN (14.14.4.7.8.)
Ander Theil des Erneuerten Gesangbuch, 1665
harm. William Sterndale Bennett, 1864

Winkworth's four-stanza translation (fairly free to begin with, according to contemporaneous sources) has been altered in several different ways by several generations of hymnal editors, but the sense is the same. In the English Hymnal (1906) there were three additional stanzas added which were not from the German original, and perhaps written by Percy Dearmer. This is the best of them, I think (though I probably wouldn't add it in myself):

Praise be to God, who, when tempests their warfare are waging,
Who, when the elements madly around you are raging,
Bids them to cease,
Turning their fury to peace,
Whirlwinds and waters assuaging.


One Year Ago: Catherine Winkworth

Solace, Light and Grace

I have been somewhat remiss in not coming up with Sunday themes this summer for the Sundays after Pentecost. It's several months until Advent and the beginning of the church year, when we always have an appropriate theme for a hymn (unless there's a hymnic birthday to mark). Last summer I rotated between four different ones on Sundays:

• hymns of social justice
• communion hymns
• hymns of the Holy Spirit
• gospel songs

but I haven't come up wth four new ones yet. Let's try this one to start.

There's a certain subset of hymns that are often (not always) used as opening hymns, the first hymn of the service. Services across many denominations often open with a hymn of praise to God. This hymn may specifically mention morning, traditionally the time of Sunday worship (also not always). Sometimes there are specific references to the congregation's coming together for worship, with perhaps a prayer for blessing or for receiving the gifts of Word and sacrament.

I think these traditions come partly from a section of the Catholic mass, the Gloria, which exists in several different textual versions and countless musical settings. Some churches use both an opening hymn of praise and a Gloria, but why not? Plenty of room for praise.

Here's one I remember, as a little Lutheran boy, that was always the opening hymn when we sang it. Other denominations use it now but the text at least is of Lutheran origin (Composer Neander, while German, was a Calvinist, and wrote many texts as well as tunes). In the original German it began Thut mir auf die schöne Pforte. Online translators can't provide a literal English version beyond "beautiful gate," but Catherine Winkworth knew how to phrase it.

Open now thy gates of beauty,
Zion, let me enter there,
Where my soul in joyful duty
Waits for God, who answers prayer.
Oh, how blessèd is this place,
Filled with solace, light and grace!

Gracious God, I come before thee,
Come thou also unto me;
Where we find thee and adore thee,
There a heav’n on earth must be.
To my heart, oh, enter thou,
Let it be thy temple now!

Here thy praise is gladly chanted,
Here thy seed is duly sown;
Let my soul, where it is planted,
Bring forth precious sheaves alone,
So that all I find may be
Fruitful unto life in me.

Thou my faith increase and quicken,
Let me keep thy gift divine,
Howsoe’er temptations thicken;
May thy Word still o’er me shine
As my guiding star through life,
As my comfort in all strife.

Speak, O God, and I will hear thee,
Let thy will be done indeed;
May I undisturbed draw near thee
While thou dost thy people feed.
Here of life the fountain flows,
Here is balm for all our woes.

Benjamin Schmolck, 1730
tr. Catherine Winkworth, 1863; alt.
Tune: UNSER HERRSCHER (8.7.8.7.7.7.)
Joachim Neander, 1680

Filled with solace, light and grace! I didn't even know what solace was but it had to be a good thing. This was one of my first "favorite hymns" and it's a good one for children because the first two lines of the melody are repeated, so it's easy to remember. In The Lutheran Hymnal (1941), which we used, this tune is matched with five different texts, but this is the one I remember singing. Also, it's the first hymn in that book, #1. Nowadays I like a little more melodic variety, which is probably why it's moved down my list, but I do still like the tune very much, and it goes well with some other texts too.

As we've seen, when I'm writing a new entry I often come across some odd connection to something that I've recently written about. Timothy Matthews, the composer of the tune MARGARET for Emily Elliott's Thou didst leave thy throne, also wrote a tune that can be used for this text called VILLAGE VESPERS. It's an interesting curiosity (note that his tune's first two lines also repeat) but I'm not surprised it never caught on. Neander's seventeenth-century tune UNSER HERRSCHER (sometimes called NEANDER) may well be sung for another three hundred years.

What are some opening hymns that are used regularly in your churches? I have several in mind, so we won't run out, and maybe we'll get to some of yours.

One Year Ago: Jessie Seymour Irvine

Let No Harp Remain Unstrung

I thought there was a composer to write about yesterday but online and offline research determined that there was a typo at the Cyber Hymnal site. We'll get to him later in the month.

So here's another Advent hymn, a favorite of mine that may not be as familiar as some.

Christ is coming! Let creation
From its groans and travail cease;
Let the glorious proclamation
Hope restore and faith increase;
Christ is coming! Christ is coming!
Come, O blessèd Source of Peace!

Earth can now but tell the story
Of thy bitter cross and pain;
We shall yet behold thy glory,
When thou comest back to reign;
Christ is coming! Christ is coming!
Let each heart repeat the strain.

Long thine exiles have been pining,
Far from rest, and home, and thee;
Now, in heav’nly vestures shining,
They their loving Shepherd see;
Christ is coming! Christ is coming!
Haste the joyous jubilee.

With that blessèd hope before us,
Let no harp remain unstrung;
Let the mighty Advent chorus
Onward roll from tongue to tongue:
Christ is coming! Christ is coming!
Come, O Jesus, quickly come!

John Ross MacDuff, 1853, alt.
Tune: UNSER HERRSCHER (8.7.8.7.8.7.)
Joachim Neander, 1680

Author John Ross MacDuff wrote several books on religious and scriptural themes, many of which you can see on Google.

Joachim Neander was a theologian and eventually a pastor in the German Reformed Church. One year before his death at age 30 he published a collection of 71 hymns, some with his own tunes, including this familiar one, which is sometimes called NEANDER. Though I never made the connection before now, a river valley near Dusseldorf was renamed in his honor, and in 1856, prehistoric fossilized remains were found there that were named Homo neanderthalensis (Neanderthal man). There's a odd hymnic association for you.