Sir John Stainer (June 6, 1840 - March 31, 1901) was one of the most well-known English church musicians of his time. Though he wrote many hymn tunes, anthems and service music, not many of them are still in use today. His one enduring work was an oratorio, The Crucifixion: A Meditation on the Sacred Passion of the Holy Redeemer (to give the full title), words by William J. Sparrow-Simpson, which was first performed on February 24, 1887, which was the day after Ash Wednesday. This work is still often performed by church choirs all over the world.
Of particular interest here is that there are six hymns interspersed between the choral movements, which were intended to be sung by the audience/congregation. At least two of the tunes of these hymns by Stainer have retained some life of their own, ALL FOR JESUS and CROSS OF JESUS.
But by far the most well-known section of The Crucifixion is God so loved the world, which has been sung by thousands of choirs who would never sing the entire work. The video below is the choir of St. Paul's Cathedral in London, where Stainer both sang as a boy chorister, and served for many years as organist.
God so loved the world That he gave his only-begotten Son That whoso believeth, believeth in him Should not perish, but have everlasting life. For God sent not his Son into the world to condemn the world But that the world through him might be saved.
Composer John Stainer was born on this day in 1840. During his life he held many musical positions both in and out of the Church of England, though most of his works (many listed here) are sacred music. Today he is probably best known for his oratorio The Crucifixion, performed by countless church choirs on Good Friday since its first appearance in 1887.
You may not know that he was musical editor of Christmas Carols New and Old in 1871, a very popular collection whose arrangements are still widely used today. He was also the musical editor of The Church Hymnary (1898), a hymnal produced by a collection of denominations in Scotland, and several of his 158 hymn tunes appeared there for the first time.
The following Stainer tune comes from The Crucifixion. If you've ever sung it or attended a performance, you probably remember that the choral and solo parts of the Passion story are interspersed with six hymns which are supposed to be sung by the combined chorus and audience/congregation. Unfortunately, this practice seems to be dying out; last year when I sang the work for the first time, the audience was only invited to sing the final hymn (with possibly the most familiar tune, CROSS OF JESUS), and the conductor directed the chorus in overly-fussy renditions of the other hymns during the performance. But I like this tune also and hardly think it's beyond the capability of any congregation.
Joys are flowing like a river Since the Comforter has come; She abides with us forever, Makes the trusting heart her home.
Like the rain that falls from heaven, Like the sunlight from the sky, So the Holy Spirit's given, Coming to us from on high.
See, a fruitful field is growing, Blessed fruit of righteousness; And the streams of life are flowing In the lonely wilderness.
Bringing life and health and gladness All around, this heav'nly Guest Banished unbelief and sadness, Changed our weariness to rest.
What a wonderful salvation, Where we'll always see God's face! What a perfect habitation, What a quiet resting place!
Manie P. Ferguson, c.1897; alt. Tune: ALL FOR JESUS (8.7.8.7.) - sometimes called OXFORD John Stainer, 1887
A brief digression from Stainer: some may recognize this hymn from somewhere else - it was originally the gospel song Blessed Quietness. I like the words but find the usual tune less than inspiring. Leaving out the refrain, the words fit nicely into this tune. Since the Holy Spirit is sometimes depicted as female in modern theology I also changed a few pronouns. Manie Ferguson, who founded with her husband a mission project in California (later expanded elsewhere) dedicated to ministry to single women, could be another entry in my More Voices Found series (click on the tag below to bring up the previous entries). There's a contemporary hymn of the Spirit that also goes well with this tune and is worth seeking out: Spirit, working in creation (1978) by John Richards.
Back to Stainer: I've been poking around in nineteenth century hymnals and trying to see an many of his tunes as possible but I'm sure I haven't found 158 yet. I'm also curious to know more about the other two oratorios, The Daughter of Jairus and St. Mary Magdalen.
Stainer had five children. A descendant of Sir John has posted several family photographs online. His daughter-in-law Rosalind Stainer (married to his youngest son Edward) wrote one hymn tune (BETHSAIDA - no sound file online, alas) that appeared in the English Methodist Hymn-Book of 1904 and others. Rosalind was the daughter of Sir Frederick Bridge, another English composer. Another Voice Found.
Sir John Stainer (June 6, 1840 - March 31, 1901) was one of the most well-known English church musicians of his time. Though he wrote many hymn tunes, anthems and service music, not many of them are still in use today. His one enduring work was an oratorio, The Crucifixion: A Meditation on the Sacred Passion of the Holy Redeemer (to give the full title), words by William J. Sparrow-Simpson, which was first performed on February 24, 1887, which was the day after Ash Wednesday. This work is still often performed by church choirs all over the world. 
