Charles H. Gabriel

Charles Hutchinson Gabriel, one of the most prolific writer-composers of gospel songs, was born today in 1856, the son of a farmer who was also a singing-school teacher.  Most of his musical education was received at home, where he taught himself to play the reed organ at age 16.

He began writing and composing gospel songs which quickly proved popular, and began collaborating with others, writing either words or music or both.  After a time, most of his work was published by the firm of Homer Rodeheaver, who was also the music director for the evangelistic crusades of Billy Sunday.  This association caused his songs to be sung by many thousands more people.

Today's song was introduced in Sunday's Philadelphia campaign in 1915, and later that year was published in the Rodeheaver collection Songs for Service, but has since appeared in dozens more books (187, according to hymnary.org, which is probably missing at least a few).

What a wonderful change in my life has been wrought
Since Jesus came into my heart!
I have joy in my soul for which long I had sought,
Since Jesus came into my heart!

Refrain
Since Jesus came into my heart,
Since Jesus came into my heart,
Floods of joy o’er my soul
Like the sea billows roll,
Since Jesus came into my heart.

I have ceased from my wandering and going astray,
Since Jesus came into my heart!
And my sins, which were many, are lifted away,
Since Jesus came into my heart!
Refrain

There’s a light in the valley of death now for me,
Since Jesus came into my heart!
And the gates of the city beyond I can see,
Since Jesus came into my heart!
Refrain

I shall go there to dwell in that city, I know,
Since Jesus came into my heart!
And I’m happy, so happy, as onward I go,
Since Jesus came into my heart!
Refrain

Rufus H. McDaniel, 1914; alt.
Tune: McDANIEL (11.8.11.8. with refrain)
Charles H. Gabriel, 1915

I have to admit that the sound file here is a bit on the dull side, and doesn't give much of a sense of the song.  I recall some pretty raucous renditions (in the best sense o the word) by some accomplished keyboard players that raised the roof, as they say.



Four Years Ago:  Charles H. Gabriel

An Arch of Promise Bright

Summer Sundays are always a good opportunity for a gospel song. Today's song, while no longer familiar to many, was produced by two very prolific writers, Emily Hewitt and Charles Gabriel.

Charles Gabriel spent most of his career in Chicago, where he worked in music publishing, eventually editing or compiling nearly a hundred songbooks, which generally contained some of his own compositions.   In 1912 he became associated with Homer Rodeheaver, who had a gospel music publishing firm, and was also the music director for Billy Sunday, a phenomenally popular touring revival preacher.  Rodeheaver used many of Gabriel's songs in Billy Sunday's services, which spread them to a wide audience.

Emily Hewitt was active in the Methodist Church in Philadelphia, superintendent of her congregation's large Sunday School.  Many of her songs, possibly including this one, were written for that assembly.

Be not weary or cast down,
When the heavens seem to frown,
There’s a rainbow on the cloud for you!
’Tis an arch of promise bright,
Earnest of unfading light
Pouring from a sky of radiant blue.

Refrain

There’s a rainbow on the cloud for you,
There’s a promise that is sure and true;
Yes, the storm will pass away;
There will dawn a brighter day—
There’s a rainbow on the cloud for you.

Christ whose word rebuked the storm
Now is able to perform
Every word he whispers to your heart;
Wholly lean upon him, then,
For the sun will shine again,
And the shadows evermore depart.

Refrain

There’s a rainbow on the cloud!
Tho’ your soul is sorrow-bowed,
Lift your voice to praise the Lord today;
There’s a rainbow ’round the throne;
In its glory we will own
That he led us in the perfect way.

Refrain

Eliza E. Hewitt, 1914; alt.

Tune: RAINBOW ON THE CLOUD (7.7.8.D. with refrain)

Charles H. Gabriel, 1914

Both Hewitt and Gabriel were proficient at writing either the words or the music, or both.  They each produced so many songs, that, like Fanny Crosby, their publishers would bring out some of their material under pseudonyms so their songbooks would not appear to be overly full of any one person's contributions.

Three Years Ago: Charles A. Tindley

Eliza Edmunds Hewitt

Today is the 150th birthday of lifelong Philadelphian Eliza Edmunds Hewitt, a prolific writer (and sometimes composer) of gospel songs. She graduated as valedictorian of the Philadelphia Girls' Normal School and began a career as a public school teacher. However, she was injured in the classroom by an unruly student who threw a heavy slate which struck her in the back, and this caused her to be bedridden for an extended period of time (and to suffer from back pain for the rest of her life).

It was apparently during this time that she began to write poetry which came to the attention of publisher John R. Sweney (a gospel songwrtier himself), who invited her to try writing songs. She became one of his must successful writers, and he himself supplied tunes for several of her texts.

There's a clear fountain flowing
From the heavens above,
And its waters are glowing
With the sunshine of love;
Take the blest consolation,
Jesus came to bestow,
Take the cup of salvation,
Let the joy overflow.

Refrain
O the joy! With this wondrous salvation
Be our hearts all aglow;
O the joy! Let the blessing run over,
And joy overflow.

Many hearts need the story,
Are athirst for that grace;
Go to them with Christ's glory
Shining out from your face;
Tell of Jesus your Savior!
And his mercies you know,
Show the light of his favor
Let the joy overflow.
Refrain

Be our lives freely yielded
To the Savior's command;
By his care ever shielded
And upheld by his hand;
In the pathways of sadness,
Sweetest lilies may grow;
Let us sow seeds of gladness,
Let the joy overflow.
Refrain

Eliza E. Hewitt, 1917; alt.
Tune: OVERFLOWING (7.6.7.6.D. with refrain)
Charles H. Gabriel, 1917


Three Years Ago: More Voices Found: Eliza Hewitt

Two Years Ago: Frederick William Faber

All Speech Flow to Music (Day Twelve)

On the last day of Christmas we look back to the message of the angels, but also forward to apply it to our own time.

The Quaker poet John Greenleaf Whittier was primarily known for his anti-slavery activities; they were the focus of his poetry and his editorship of The National Era and other abolitionist journals. Some biographical sources suggest that Whittier's political activity ceased after the Civil War, but this text from 1873, adapted from his poem A Christmas Carmen, shows his support for the cause of peace.

Sound over all waters, reach out from all lands,
The chorus of voices, the clasping of hands;
Sing hymns that were sung by the stars of the morn,
Sing songs of the angels when Jesus was born!

Sing concord of nations! in chorals of love
Sing out the war-vulture and sing in the dove,
The long night is ending and dawn has begun;
Rise, hope of the ages, arise like the sun!

Blow, bugles of battle, the marches of peace;
East, west, north, and south let the long quarrel cease
Sing the song of great joy from the angels begun,
All speech flow to music, all hearts beat as one!

John Greenleaf Whittier, 1873; adapt.
Tune: LANSING (11.11.11.11.)
Charles H. Gabriel, 1912

This tune by Charles Gabriel first appeared in the Presbyterian Psalter (1912) used with a paraphrase of Psalm 24, Ye gates lift your heads, the glad summons obey. Whittier's text has also been sung to ST DENIO and CRADLE SONG.

In 1982, the text was set to music by composer Paul Halley, organist and music director at the Episcopal Cathedral of St. John the Divine, in honor of Coretta Scott King, who was coming to preach at the cathedral. The piece was first sung on that occasion, and on others since.

Finally, here we are at the end of our twelve days of Christmas music. Hope you have found something interesting that you had not seen before. It's been fun for me but I'm not sure I'll jump to do another long daily series anytime soon!

Charles Hutchinson Gabriel

Gospel songwriter Charles H. Gabriel was born in Iowa on August 18, 1856. His father was a farmer and singing school teacher, and Charles received his musical education at home while growing up; when Charles was sixteen his father died, and Charles took his teaching position for the next year. He had been interested in songwriting from an early age, encouraged by his parents.

He left home at seventeen and taught singing for the next several years in various places. His first song was published in 1873, followed by his first songbook, Gabriel's Sabbath School Songs, in 1877. He wrote both sacred and secular songs, as well as band music.

He lived in San Francisco for at least two years, as music director at Grace Methodist Episcopal Church in the Mission District, where he wrote Send the light, his first big success. While he often wrote both words and music for his songs, he also collaborated with many of the popular writers and composers of his time, writing either words or music. A year ago this week we saw one of these collaborations here. He became so prolific that, like Fanny Crosby, his publishers apparently asked him to adopt pseudonyms for some of his songs so that their books would not appear to have so many Charles Gabriel pieces.

I chose one of his texts to feature today because we have had an abundance of composers over the last week or so; also, this is a communion text, which is not a very common theme for gospel songs. In modern times we don't usually use frequent quotation marks like this, though they were more prevalent a hundred years ago to indicate phrases in a hymn or song which were taken from the Bible. "Whosoever will" is probably from the verse "For whosoever will save his life shall lose it: but whosoever will lose his life for my sake, the same shall save it." which essentially appears three times: in Matthew 16:25, Mark 8:35, and Luke 8:24. "All things are ready" is from Matthew 22:4. When first published, this text was credited to "Charlotte G. Homer," one of Gabriel's pseudonyms.

“All things are ready,” come to the feast!
Come, for the table now is spread;
Ye hungry souls, ye weary, come,
And you shall be richly fed.

Refrain
Hear the invitation,
Come, “whosoever will”;
Praise God for full salvation
For “whosoever will.”

“All things are ready,” come to the feast!
Come, for the door is open wide;
A place of honor is reserved
For you at the Savior’s side.
Refrain

“All things are ready,” come to the feast!
Leave ev’ry care and worldly strife;
Come, feast upon the love of God,
And drink everlasting life.
Refrain

Charles H. Gabriel, 1895; alt.
Tune: WHOSOEVER WILL (9.8.8.7. with refrain)
William A. Ogden, 1895

Gabriel's music was further popularized by the evangelist Billy Sunday, who used many of his songs in his campaigns (Homer Rodeheaver, whose publishing company brought out most of Gabriel's work after 1912, was also Sunday's music director).

Before his death in 1932 Charles Gabriel eventually published more than 75 collections of music: for Sunday schools, evangelical meetings, men's voices, women's voices, choir anthems, piano and organ pieces, and military bands. He wrote cantatas for both chldren and adults, musical instruction manuals, and many popular songs (the illustration below was an advertisement for his secular music). The estimate of his total number of gospel songs (presumably including the tunes he wrote for texts by others) goes as high as eight thousand, comparable to Fanny Crosby's output. Several of his songs are still known and sung today.

Civilla Durfee Martin

Hymnwriter Civilla Martin was born on this day in 1866, in Nova Scotia. Her lifelong love of music was shared with her husband Walter Martin, and they collaborated on several songs, with him supplying the music to her words. Her popular texts also inspired other gospel song composers, such as Charles H. Gabriel, who wrote the music for one of her most familiar selections.

One day in 1905, Martin was visiting a bedridden friend, and asked her if she was ever discouraged by her situation. The woman responded "His eye is on the sparrow, and I know he's watching me," probably a reference to Matthew 6:26 -- Look at the birds of the air; they neither sow nor reap nor gather into barns, and yet God feeds them. Are you not of more value than they? Before long Martin had written the following song, and with Gabriel's tune it spread throughout many denominations.

Why should I feel discouraged,
Why should the shadows come,
Why should my heart be lonely,
And long for heaven and home,
When, Jesus, you're my portion?
My constant friend you'll be:
Your eye is on the sparrow,
And I know you're watching me;
Your eye is on the sparrow,
And I know you're watching me.

Refrain
I sing because I’m happy,
I sing because I’m free,
For your eye is on the sparrow,
And I know you're watching me.

“Let not your heart be troubled,”
Your tender word I hear,
And resting on your goodness,
I lose my doubts and fears;
Though by the path you're leading,
But one step I may see;
Your eye is on the sparrow,
And I know you're watching me;
Your eye is on the sparrow,
And I know you're watching me.
Refrain

Whenever I am tempted,
Whenever clouds arise,
When songs give place to sighing,
When hope within me dies,
I draw the closer to you,
From care you set me free;
Your eye is on the sparrow,
And I know you're watching me;
Your eye is on the sparrow,
And I know you're watching me.
Refrain

Civilla D. Martin, 1905; alt.
Tune: HIS EYE IS ON THE SPARROW (Irregular with refrain)
Charles H. Gabriel, 1905

This song was a favorite of jazz singer Ethel Waters, who recorded it and also titled her autobiography His Eye Is On the Sparrow.