Showing posts with label Frederick L. Hosmer. Show all posts
Showing posts with label Frederick L. Hosmer. Show all posts

Wednesday, November 2, 2016

The Feast of All Souls


Alleluia! Alleluia! Alleluia!

Author of life, where’er they be,
Safe in thine own eternity,
Our loved are living unto thee:
Alleluia!

All souls are thine, and here or there
They rest within thy sheltering care;
One providence alike they share:
Alleluia!

Thy Word is true, thy ways are just;
Above the requiem, "Dust to dust,"
Shall rise our psalm of grateful trust:
Alleluia!

O happy they in God who rest,
No more by fear and doubt oppressed,
Living or dying, they are blest:
Alleluia!

Frederick Lucian Hosmer, 1888; alt.
Tune: VICTORY (8.8.8. with Alleluia)
Giovanni da Palestrina, 1591
adapt. William H. Monk, 1861



Five Years Ago: The Feast of All Souls

Tuesday, November 1, 2016

The Feast of All Saints


Immortal by their deed and word,
Like light around them shed,
Still speak the prophets of the Lord,
Still live the sainted dead.

The voice of old by Jordan's flood
Yet floats upon the air;
We hear it in beatitude,
In parable and prayer.

And still the beauty of that life
Shines star-like on our way,
And breathes its calm amid the strife
And burden of today.

Spirit of Jesus, still speed on!
Speed on your glorious way,
Till every heart God's message own,
And all God's will obey.

Frederick Lucian Hosmer, 1880; alt.
Tune: SONG 67 (C.M.)
Orlando Gibbons, 1623;
arr. Henry T. Smart, 19th cent.





Sunday, October 16, 2016

Frederick Lucian Hosmer

The dean of Unitarian hymnwriters, Frederick Lucian Hosmer, was born on this day in 1840. Many details of his life and career have been shared here in previous years (see links below).

This year I discovered a nice article in the November, 1920 issue of The Pacific Unitarian, a church magazine published in San Francisco, marking Hosmer's eightieth birthday. A celebration of the occasion on the exact date was planned by the First Unitarian Church of Berkeley (CA), where Hosmer had been named pastor emeritus in 1915, upon his (second) retirement. However, it was not certain that he would be present, as he had left California three years earlier "to visit his friends in the East." He had been staying in the Boston neighborhood of Dorchester for much of that time, but when he learned of the planned celebration he cut his extended trip short and returned to Berkeley, to the evident delight of his former parishioners.  According to the article: "He was as glad to meet his old friends as they were to have him back, and his informal hand-grasping reception had nothing perfunctory about it." Various speeches of acclamation were also delivered that night.

The article also recounts a celebration held in Boston three days earlier at a board meeting of the American Unitarian Association. Unfortunately, Hosmer was not in attendance as he would have already been on his way to California, but it's not unlikely that the Board thought that he would be there as he had been staying nearby for many months.  A portrait of Hosmer was given to the Association by a committee of his friends, and Association President Samuel Atkins Eliot II spoke warmly of Hosmer and his accomplishments, and recalled his many hymn texts.

They bear witness to the unceasing revelation of truth and to the reality and perpetual influence of the life of God [...] They are prophetic utterances of the cheerful and confident faith that we associate with the animating and radiant personality of our friend.

The article also included the following hymn by Hosmer, which he had written to mark the 75th anniversary of the American Unitarian Association twenty years earlier.

From old to new, with broadening sweep,
The stream of life moves on;
And still its changing currents keep
A changeless undertone.

In prophet word and martyr faith,
Visions of saint and seer, 
The poet's song, the Spirit's breath --
That undertone we bear.

A sense we have of things unseen, 
Transcending things of time;
We catch, earth's broken chords between,
The everlasting chime!

And light breaks through the rifted haze
In shining vistas broad;
We stand amid th'eternal ways,
Held by the hand of God.

Frederick Lucian Hosmer, 1900; alt.
Tune: GERONTIUS (C.M.)
John Bacchus Dykes, 1868

It seems to me that there must be more references to Hosmer in The Pacific Unitarian, since he lived in California for most of the last thirty years of his life. He is one of the hymnwriters that most intrigues me, so I will have to investigate further.



Eight Years Ago: Frederick Lucian Hosmer

Seven Years Ago: Frederick Lucian Hosmer

Six Years Ago: Frederick Lucian Hosmer

Two Years Ago: Frederick Lucian Hosmer

One Year Ago: Frederick Lucian Hosmer

Sunday, September 11, 2016

One Encircling Providence

In many churches, today marks a re-gathering of the community, returning from summer to a new program year for the church, even perhaps a rededication to the mission.  Seems like a good occasion for a "re-run," a hymn about our communities of faith and what we find in them.

O Light, from age to age the same,
Forever living Word,
Here have we felt thy kindling flame,
Thy voice within have heard.
Here holy thought and hymn and prayer
Have winged the Spirit’s powers,
And made these walls divinely fair,
Thy temple, God, and ours.

What visions rise above the years,
What tender memories throng
To fill the eye with happy tears,
The heart with grateful song!
Then vanish mists of time and sense,
They come, the loved of yore,
And one encircling Providence
Holds all forevermore.

O not in vain their toil who wrought
To build faith’s freer shrine;
Nor theirs whose steadfast love and thought
Have watched the fire divine.
Burn, holy Fire, and shine more wide!
While systems rise and fall,
Faith, hope, and charity abide,
The heart and soul of all.

Frederick Lucian Hosmer, 1890; alt.
Tune: ST. MATTHEW (C.M.D.)
William Croft, 1708

You can read more about this hymn and its author from October 16, 2008. 

Today is also the fifteenth anniversary of the largest terrorist attack on the United States, known simply by the date: September 11.  Many hymn texts have been written in response, and several have been gathered by the Hymn Society in the United States and Canada, which you can request through the Hymns in Time of Crisis page of their website (scroll down to Violence: Acts of Terrorism, Overcoming Despair).  More readily available online are three hymn texts on the topic (linked here) written by Presbyterian pastor Carolyn Winfrey Gillette, whose ministry in providing comforting hymns for difficult times we have covered before.




Seven Years Ago: Harry Thacker Burleigh

Sunday, March 13, 2016

William Channing Gannett

William Channing Gannett was born today in Boston in 1840.  His father, Ezra Stiles Gannett, was one of the founders of the American Unitarian Association, which formalized the earlier separate Unitarian churches into a denominational structure,  His mother, Anna Tilden Gannett (who died when William was two years old), was a student of Ralph Waldo Emerson and a friend of Harriet Martineau.

He graduated from Harvard in 1860 and taught school for a year in Rhode Island, but did not believe that he was particularly good at it.  He was no more convinced that he could succeed in business or in the ministry, but he began studying at Harvard Divinity School.  He left before finishing to work with freed slaves on the Sea Islands of South Carolina, later describing this work as the most significant of his life. He returned to Boston a few years later because his father was in poor health, and eventually completed his studies at the Divinity School.  After graduation, he served churches in Minnesota, Wisconsin, Illinois, and eventually Rochester, New York (his longest tenure: 1889-1908).  He was involved in the social causes of his time: including first abolition and later women's suffrage; Susan B. Anthony was on of his parishioners in Rochester.  Gannett and Anthony worked for years to have women admitted to the University of Rochester, and raised funds toward that campaign, which eventually succeeded.

Gannett wrote many hymns (some of which we have already seen here), and collaborated with Frederick Lucian Hosmer on two influential Unitarian collections: Unity Hymns and Chorals (1880) and The Thought of God in Hymns and Poems (1885).  Both collections were revised and updated by the pair in later years.

He clearly believed in an indwelling God that was accessible to every person; the basis for this hymn as well as some of his others.

O God within, so close to me
That every thought is plain,
Be Rock, be Friend, and Comfort still,
And in your heaven reign!

That heaven is mine -- my very soul!
Your words are sweet and strong;
They fill my inward silences
With music and with song.

They send me challenges to right
And loud rebuke my ill;
They ring my bells of victory,
They breathe my "peace, be still!'"

They ever seem to say "My child,
Why seek me so all day?
Now journey inward to yourself,
And listen on your way."

William Channing Gannett, 20th cent.; alt.
Tune: EXETER  (C.M.)
Lowell Mason, 1823

Gannett the 'poet-preacher,' as a colleague described him, died in Rochester in December 1923, having continued his connection to that congregation as pastor emeritus since his 1908 retirement.

Six Years Ago: William Channing Gannett

Five Years Ago: William Channing Gannett


Friday, October 16, 2015

Frederick Lucian Hosmer

Unitarian hymn writer and hymnal editor Frederick Lucian Hosmer was born today in 1840, in Framingham, Massachusetts.  In 1872, following graduation from Harvard Divinity School a few years earlier, he was "ordained to a fruitful ministry," as described by the Handbook to The Hymnal (1935 - Presbyterian), serving both Unitarian and Congregational churches in different states.

Writing hymns came later, and he was considered the finest hymn writer of his day (a worthy successor to Samuel Longfellow) among the Unitarians, but several of his texts were taken up by hymnals outside that denomination as well.

In the fourth volume of Heralds of a Liberal Faith (1952), American Unitarian Association president Samuel Atkins Eliot wrote of Hosmer:

...a poet intent on making his hymns as perfect an expression of his thought as possible. He had a wide knowledge of hymnody and sound theories of hymn construction which he expounded in lectures at the Harvard Divinity School in 1908. His hymns are the expression of a cheerful faith and are carefully wrought out in simple and facile forms which do not disclose the labor and care which went into their making.

In today's hymn, Hosmer only wrote the second stanza.  The first had been written nearly a century earlier, by Reginald Heber, and over the years other people have added stanzas of their own.  The stanza by Hosmer was written in 1912, and may have first appeared in The New Hymn and Tune Book (1914), a Unitarian collection that Hosmer had helped compile. 

God that madest earth and heaven,
Darkness and light;
Who the day for toil hast given,
For rest the night;
May thine angel guards defend us,
Slumber sweet thy mercy send us,
Holy dreams and hopes attend us,
This livelong night.

When the constant sun, returning,
Unseals our eyes,
May we, born anew, like morning,
To labor rise.
Gird us for the tasks that call us,
Let not ease and self enthrall us,
Strong through thee, whate'er befall us,
O God most wise.

Reginald Heber, 1827 (st. 1);
Frederick Lucian Hosmer, 1912 (st. 2)
Tune: AR HYD Y NOS (8.4.8.4.8.8.8.4.)
Welsh traditional melody; harm. Luther O. Emerson, 1906

The idea of adding a stanza or two to an existing hymn is not particularly novel and may be done for various reasons, though some consider it unnecessary tinkering with the original author's intent.  In this case I suspect that people just thought that a hymn with a single stanza was too short and was less likely to be sung at all.  Certainly the stanzas added to Mary Lathbury's Break thou the bread of life seem intended to "correct" her original concept of seeking God "beyond the sacred page" (of scripture).  I believe that several hymnal editors before the twentieth century, when scholarship around hymns and their origins became more widespread, often added stanzas to hymns either original or borrowed from other hymns, and since those books often didn't include any credits at all, no one knew the difference.

This continues in more modern times; I am particularly thinking of the stanza added by Georgia Harkness to This is my song, O God of all the nations by Lloyd Stone, found in a number of modern hymnals.  And I've even done it myself a few times, such as this instance seen here a few years back.



Seven Years Ago: Frederick Lucian Hosmer

Six Years Ago: Frederick Lucian Hosmer

Five Years Ago: Frederick Lucian Hosmer

One Year Ago: Frederick Lucian Hosmer



Thursday, October 16, 2014

Frederick Lucian Hosmer

Frederick Lucian Hosmer (October 16, 1840 - June 7, 1929), Unitarian minister, hymnwriter and hymnal editor,  was born in Framingham, Massachusetts.  He graduated from Harvard Divinity School in 1869, a generation later than Samuel Longfellow, in whose hymnodic footsteps Hosmer would travel.

Today's hymn was written by Hosmer for the January 1891 dedication of the Unity Church of Decorah, Iowa (a Unitarian congregation, building pictured below).  In the nineteenth and early twentieth century there were several different texts written by various poets to be sung to the familiar tune of the Battle Hymn of the Republic (or John Brown's Body) such as the one we have already seen by Charlotte Perkins Gilman.

From age to age they gather, all the brave of heart and strong;
In the strife of truth with error, of the right against the wrong;
I can see their gleaming banner, I can hear their triumph song;
The truth is marching on.
Glory, glory, hallelujah! Glory, glory, hallelujah!
Glory, glory, hallelujah! The truth is marching on!


The earth is circling onward out of shadow into light;
The stars keep watch above our way, however long the night;
For every martyr’s stripe there glows a bar of morning bright;
And love is marching on!
Glory, glory, hallelujah! Glory, glory, hallelujah!
Glory, glory, hallelujah! And love is marching on!


Lead on, O cross of urgent faith, with thee is victory;
Shine forth, O stars and reddening dawn, the full day yet shall be;
God's dominion quickly cometh, and with joy our eyes shall see,
Our God is marching on!
Glory, glory, hallelujah! Glory, glory, hallelujah!
Glory, glory, hallelujah! Our God is marching on!


Frederick Lucian Hosmer, 1891: alt.  
Tune: BATTLE HYMN OF THE REPUBLIC (Irregular with refrain)
William Steffe (coll.), c.1856

The theme of the coming reign of God appears in other texts by Hosmer, includimg somewe have already seen here (links below).



Six Years Ago: Frederick Lucian Hosmer

Five Years Ago: Frederick Lucian Hosmer  

Four Years Ago: Frederick lucian Hosmer


Wednesday, February 5, 2014

Thomas Turton

Bishop Thomas Turton (February 5, 1780 - January 7, 1864) was born in the town of Hatfield, in South Yorkshire, the son of Thomas and Ann Turton.

He graduated from St. Catherine's College (part of the University of Cambridge) in 1805, and treturned there to teach, eventually serving as Professor of Mathematics (1822-1826) and of Divinity (1827-1842). In 1834 he published a pamphlet opposing the admission of non-Anglicans for univerity degrees.  During his teaching career, he also served in various clerical capacities following his ordination in the Church of England in 1813, which led to his inclusion in The Extraordinary Black Book (1832) by John Wade, a catalog of corruption and abuse in church and state. After leaving St. Catherine's, he became Dean of Westminster Abbey for three years, and in 1845 he was made Bishop of Ely.

He was also a composer of some church music, and two hymn tunes (including today's) were included in Hymns Ancient and Modern.

O thou, in all thy might so far,
In all thy love so near,
Betond the range of sun and star,
And yet beside us here.

What heart can comprehend thy Name,
Or searching, find thee out,
Who art within, a quick'ning Flame,
A Presence 'round about.

Yet though we know thee but in part,
We ask not, God, for more,
Enough for us to know thou art,
To love thee, and adore.

Frederick Lucian Hosmer, 1876; alt.
Tune: ST. ETHELDREDA (C.M.)
Thomas Turton, 1860

This tune was named for Saint Etheldreda, the patron saint of the Diocese of Ely, while Turton's other tune in Hymns Ancient and Modern was called ELY.

Turton was in poor health during much of his term as Bishop and died in 1864, leaving much of his estate to charity.  He was buried next to his friend Dr. Thomas Musgrave, Archbishop of York.

This text, by Frederick Lucian Hosmer, written while he was pastor of the Unitarian congregation in Quincy, Illinois, is described in Hymn Lore (1932) by Calvin Laufer as suggestive of Psalm 139.



Five Years Ago: Joy is like the rain

Four Years Ago: Roger Williams

Sunday, March 13, 2011

William Channing Gannett

Hymnwriter William Channing Gannett, born today in 1840, was a Unitarian minister who served several different congregations and was widely known in his time as a social reformer. Before the Civil War he had supported and worked for the cause of abolition. He interrupted his studies at the Harvard Divinity School to work with the New England Freedmen's Society in South Carolina during the war, helping former slaves and organizing a school. He apparently was planning to make this his life's work, but after four years his father's poor health brought him back to the North and he finally finished his studies. In later years he became a strong advocate for women's suffrage and education.

His first collection of hymns, Unity Hymns and Chorals (1880) was followed five years later by The Thought of God in Hymns and Poems. Both books were collaborations with his friend Frederick Lucian Hosmer, and the two worked on these books for years afterward, bringing out a number of revised editions with new material.

Gannett worked to encourage ecumenism and unity among churches, belonging to organizations such as the Free Religious Association and the New York state chapter of the Parliament of Religions. In 1887 he wrote Things Commonly Believed Among Us, a broad statement which was adopted by the Western Unitarian Conference. Today's hymn expresses similar concepts, which is probably why it is not more well-known.

It sounds along the ages,
Soul answering to soul;
It kindles on the pages
Of every Bible scroll;
The psalmist heard and sang it,
From martyr lips it broke,
The prophet tongues out-rang it
Till sleeping nations woke.

From Sinai's cliffs it echoed,
It breathed from Buddha's tree,
It charmed in Athens' market,
It hallowed Galilee;
The hammer stroke of Luther,
The Pilgrims' seaside prayer,
The oracles of Concord,
One holy Word declare.

It calls -- and lo, new justice!
It speaks -- and lo, new truth!
In ever nobler stature
And unexhausted youth.
Forever on resounding,
And knowing nought of time,
Our laws but catch the music
Of its eternal chime.

William Channing Gannett, 1894
Tune: FAR OFF LANDS (7.6.7.6.D.)
Bohemian Brethren Hemlandssanger, 1892

What is "It"?

The explanation is not in the text. Modern-day Unitarian preachers will tell you that you're free to decide for yourself what "It" is (such as in this sermon), and that understanding might possibly suit Gannett, but in fact he did have something more concrete in mind. The text as it appeared in The Thought of God in Hymns and Poems was titled The Word of God. Hymnwriters of earlier days such as Philip Doddridge and Charles Wesley had often titled their texts only to see the titles abandoned over the years; while those titles sometimes give us a better insight into the texts than we might otherwise have, few are as essential as the title of this one.

The tune, which comes from the Bohemian Brethren (or Moravians), is named for the children's mission hymn by Percy Dearmer to which it is also matched: Remember all the people / Who dwell in far off lands., which is the kind of text that isn't sung much any more (due to lines such as Some work in sultry forests / Where apes swing to and fro).

In spite of Gannett's interest in ecumenism, his hymns have not received the same wider acceptance in other denominations as those of his collaborator Frederick Lucian Hosmer. Probably only two, Praise to the Living God, and Bring, O morn, thy music are known today in non-Unitarian collections.




Saturday, October 16, 2010

Frederick Lucian Hosmer

Today is the 170th birthday of Unitarian minister and hymnwriter Frederick Lucian Hosmer who was born in Framingham, Massachusetts. Educated at Harvard University and Harvard Divinity School, he was ordained in the Unitarian church shortly after graduation in 1869, and served his first church in Northboro, MA for three years before moving westward in his career, to churches in Ohio, Illinois, Missouri, and California.

As described here before, he and his friend William Channing Gannett produced two important Unitarian hymnals, Unity Hymns and Chorals (1880) and The Thought of God in Hymns and Poems (1885), both of which they revised in later editions. According to a quote in the later Unitarian collection Hymns for the Celebration of Life (1964), Gannett was the better poet, Hosmer the better hymnwriter.

Hosmer wrote today's hymn for the 1891 commencement ceremony of Meadville Theological School in Meadville, PA. Canon Percy Dearmer, who was at least partly responsible for introducing Hosmer's hymns to Great Britain, believed this text to be "one of the noblest hymns in the language."

God's time shall come! Forever so
The passing ages pray;
And faithful souls have longed to know
On earth that promised day.

But the slow watches of the night
Not less to God belong;
And for the everlasting right
The silent stars are strong.

And lo, already on the hills
The flags of dawn appear;
Go forth in joy, ye prophet souls,
Proclaim the day is near.

The day in whose clear shining light
All wrong shall stand revealed,
When justice shall be throned in might,
And every hurt be healed.

When knowledge, hand in hand with peace,
Shall walk the earth abroad;
The day of perfect righteousness,
The promised day of God.

Frederick Lucian Hosmer, 1891; alt.
Tune:
CREDITON (C.M.)
Thomas Clark, 1807




Two Years Ago: Frederick Lucian Hosmer

One Year Ago: Frederick Lucian Hosmer

Wednesday, June 30, 2010

Edward J. Hopkins

Composer and organist Edward J. Hopkins (1819 - 1901) was born in London on this day. At age eight he became a chorister at the Chapel Royal, where the boys received a solid overall musical education as well as instruction in singing (several composers already mentioned here began as choristers there). By the time he was fourteen he was playing the organ for services at Westminster Abbey, supervised by James Turle, the Abbey's organist and music director, who gave Hopkins a strong recommendation two years later when he gained his first organist position at Mitcham Church in Surrey.

After a few similar positions, in 1843 he came to the Temple Church in London, where his official title was Organist to the Honorable Societies of the Inner and Middle Temple. He was to remain there for fifty-five years until his retirement (he had stopped playing solo organ recitals two years earlier, on his seventy-eighth birthday). The Temple Church was known during his time for its excellent music, including the choir's singing of the psalms to Anglican chant, which the Guardian newspaper recommended to any listener, who would "hear every word distinctly pronounced, every sentence clearly and reverently enunciated," with no "slovenly hurrying or clipping of words, but all as it should be."

In 1867 Hopkins published his first hymnbook, the Temple Choral Service-Book (still in print), which contained several of his hymn tunes and arrangements as well as service music and chants. An extensive and favorable review appeared in The Church Chronicle, which concluded, with typical British understatement, "we cordially commend it to our readers' notice." Hopkins went on to serve as editor for three more major collections, The Free Church Hymn Book for the Church of Scotland, Church Praise (1882) for the Presbyterian Church of England, and the Hymnal of the Presbyterian Church of Canada.

The Cyber Hymnal link above only allows you to hear a handful of his tunes. At Hymnary.org they list many more (though some of those are probably the same tune under a different name). Closer to his own time, his tunes were described as "melodious in a most winsome way" and "worth a place in any hymnal." We have already heard three of his tunes here: ELLERS, the most familiar and long-lived, as well as CULFORD and NUKAPU. This tune, ST. HUGH, first appeared in R.R. Chope's Congregational Tune-Book (1862 ed.) where it was matched with the text There is a fountain filled with blood, but I think it suits this text by Frederick L. Hosmer as well.

One thought I have, my ample creed,
So deep it is and broad,
And equal to my every need -—
It is the thought of God.

Each morn unfolds some fresh surprise,
I feast at life’s full board;
And rising in my inner skies
Shines forth the thought of God.

I ask not far before to see,
But take in trust my road;
Life, death, and immortality
Are in my thought of God.

To this their secret strength they owed
The martyr’s path who trod;
The fountains of their patience flowed
From out their thought of God.

Be still the light upon my way,
My pilgrim staff and rod,
My rest by night, my strength by day
O blessèd thought of God.

Frederick Lucian Hosmer, 1880
Tune:
ST. HUGH (C.M.)
Edward J. Hopkins, 1862


There was apparently a posthumous collection of the hymn tunes of Hopkins, which I did not know two years ago when writing about him, but the reference does not mention how many tunes were included. Some continued to be used in hymnals well into the twentieth century, particularly ELLERS, and those hymnals which still include Anglican chant may have one or more by him.

As I always have to note for all these Victorian composers, Hopkins' popularity has faded over time. There is no Wikipedia entry for him, nor has anyone added his hymn tunes or anthems to the Choral Public Domain Library, unlike the music of many of his contemporaries. However, his tune OUNDLE, arranged from a melody of Orlando Gibbons, appears in the newish Harvard Univerity Hymn Book (2007), possibly more than an century after its last appearance anywhere. And just a week and a half ago, the choir of All Saints Episcopal Church in Mobile, AL sang his anthem How like a gentle Spirit (I have to note that a congregation that still sings six hymns during the summer is commendable, though I suspect they have air conditioning). So, you never know what might happen. His music is still out there, perhaps somewhat buried, waiting for someone to take an interest and dust it off.


Two Years Ago: Edward J. Hopkins

Sunday, May 9, 2010

Earth Feels the Season's Joyance


As discussed last year, the last Sunday in Eastertide, the Sunday before Ascension, is also celebrated as Rogation Sunday in some churches. This dates from an earlier time and an agrarian society that no longer exists in most places, but anecdotal evidence suggests that interest in observing the occasion again is increasing. I found several more links this year than last, including these about Rogation-related customs such as "beating the bounds" and "rammelation biscuits."

This hymn combines the Easter theme with thanks for the arrival of spring, as we've discussed before, which makes it especially suitable for the Rogation observance (though, admittedly, many churches have given up on Easter hymns by this point in the season). The text and tune are by two of my favorites, Frederick Lucian Hosmer and Henry Smart.

O day of light and gladness,
Of prophecy and song,
What thoughts within us waken,
What hallowed memories throng!
The soul’s horizon widens,
Past, present, future blend;
And rises on our vision
The life that hath no end.

Earth feels the season’s joyance,
From mountain range to sea
The tides of life are flowing
Fresh, manifold and free.
In valley and on upland,
By forest pathways dim,
All nature lifts in chorus
The resurrection hymn.

O Source of life eternal,
To thee our hearts upraise
The Easter song of gladness,
The Passover of praise.
Thine are the many mansions,
The dead die not to thee,
Who fillest from thy fullness
Time and eternity.

Frederick L. Hosmer, 1903; alt.
Tune:
LANCASHIRE (7.6.7.6.D.)
Henry T. Smart, 1836


Last Sunday in Eastertide: Prophets, Psalmists, Seers and Sages




Saturday, March 13, 2010

William Channing Gannett

The poet and minister William Channing Gannett (March 13, 1840 - July 25, 1923) was named for William Ellery Channing, one of the foremost Unitarian theologians of the day, who was Gannett's godfather and also conducted the christening. His father, Ezra Stiles Gannett, was also a prominent Unitarian minister in Boston, one of the founders of the American Unitarian Association and later its president.
The younger Gannett followed his father by graduating from Harvard in 1860. He was not sure that he was suited for the ministry, but he entered Harvard Divinity School. He left during his first year to go to South Carolina to work with a group of freed slaves. He spent the years of the Civil War there in the south, where he organized a school and helped that community gain a measure of self-sufficiency, something that many people in South Carolina had little interest in supporting.

When he returned to Boston he eventually finished his studies at the Divinity School and was ordained in 1868. In 1875 he published a biography of his father, who had died four years earlier. He also began a long collaboration with Frederick Lucian Hosmer, and together they compiled Unity Hymns and Chorals (1880) and The Thought of God in Hymns and Poems (1885). Both books went through several editions and were very influential in Unitarian hymnody.

Samuel Atkins Elliot, a later president of the American Unitarian Association, wrote in Heralds of a Liberal Faith (1901) regarding their first hymnal:

...in which, after the manner of Samuel Longfellow (and Samuel Johnson - CWS), they adapted and rewrote orthodox hymns and lay poems for the liberal churches, thereby offending some who believed in sticking to the original texts.

Gannett and Hosmer wrote their own texts to their specifications, of course, so they did not have to be altered (though later generations have followed in their footsteps and done so). Gannett showed a particular affinity for the transcendentalist ideas of Ralph Waldo Emerson, especially in the concept that God's presence can be seen and felt in the wonders of nature. You can see this in the two hymns of his that I've already written about: Bring, O morn, thy music and Praise to the Living God, as well as in this hymn for today.

You hide within the lily,
A strong and tender Care
That wins the earthborn atoms
To glory of the air;
You weave their shining garments
Unceasingly and still,
Along the quiet waters,
In grasses down each hill.

We linger there in vigil
With Christ, who bent the knee
To watch the ancient lilies
In distant Galilee;
And still our worship deepens
And quickens into new,
And bright'ning down the ages
Your secret thrills us through.

Creator of the lily,
With you the heart e'er sings;
No leaf that dawns to petal
But hints of angel wings.
The flower horizons open,
The blossom vaster shows;
We hear your wide worlds echo,
“See how the lily grows.”

The yearnings of the nations,
Unfolding, thought by thought,
To holier lives are lifted,
To futures clear are wrought:
May all advance in justice,
While evils fade and fall,
Till chaos blooms to beauty,
Your purpose crowning all.

William Channing Gannett, 1873; alt.
Tune:
MEIRIONYDD (7.6.7.6.D.)
William F. Lloyd, 1840


This text is taken largely from a website called Hymns of the Spirit Three, which modernizes and inclusifies the public domain texts from Hymns of the Spirit (1937), a popular Unitarian hymnal of the last century, which in turn was named for the 1864 hymnal compiled by Longfellow and Johnson. I admit that I've done a bit of further revision (it's hard to resist once you've been doing this for a while).

Sunday, February 14, 2010

Transfigured in Remembered Light

Though the Feast of the Transfiguration technically falls on August 6, it seems to be more often observed these days on the last Sunday of the Epiphany season, before the beginning of Lent of Ash Wednesday. Apparently it was the Lutheran church which may have first moved this observance from August.

The story of Jesus' transfiguration is told in three of the Gospels. This morning we heard the version from
Luke 9:28-36. The disciples recognize this great wonder as another revelation of Jesus' divine nature, as in the other Epiphany narratives. As usual, they are so taken with the spectacle that their first impulse is to try to preserve the moment. They don't quite understand how it relates to their new mission.

The Unitarian
Frederick Lucian Hosmer takes the wonder of the story and brings it down the mountain into our daily lives.

Not always on the mount may we
Rapt in the heav’nly vision be:
The shores of thought and feeling know
The Spirit’s tidal ebb and flow.

“Lord, it is good abiding here,”
We cry, the heav’nly presence near:
The vision vanishes, our eyes
Are lifted into vacant skies.

Yet hath one such exalted hour
Upon the soul redeeming power,
And in that strength, through all our days,
We travel our appointed ways,

Till all this earthly vale grows bright,
Transfigured in remembered light,
And in untiring souls we bear
The freshness of the upper air.

The mount for vision: but below
The paths of daily duty go,
And nobler life therein shall own
The pattern on the mountain shown.

Frederick Lucian Hosmer, 1882; alt.
Tune: GERMANY (L.M.)
from William Gardiner's Sacred Melodies, 1815



Two Years Ago: Triple-Header